A few weeks ago we read Tuatara by Anna Jackson for our Poem of the Week.
Tuatara
Anna Jackson
In a country with ridges
up and down its back
lives the tuatara
wearing mountains like the land
moving so slowly
it hardly seems to move at all.
The sun goes whirling
round the world
and winds blow west
and winds blow north
and grasses grow
and trees grow higher
and people come
and they admire
the tuatara sitting still.
It hardly seems to move at all.
Anna Jackson is a local Island Bay poet, and Paula Green from Poetry Box, a poetry blog for kiwi kids, connected us with Anna so we could interview her by email. She's going to come and visit us at school next term.
Here are our questions and her answers:
Tuatara questions ~ Anna Jackson’s answers
- What's
your favourite part of Tuatara?
I
think what I like is the way most of it is one long sentence all about the rest
of the world moving, then when you get to the tuatara again, the sentence
stops. Then there is just one still
sentence at the end, a sentence the same as one before. This seems like a good way of capturing the
stillness of the tuatara, compared to the rest of the world.
- When
you were writing it, what was the first image that popped in to your mind?
I
think the back of the tuatara looking like mountains.
- What
inspired you to write about a tuatara? Why did you write the Tuatara poem?
I
was writing about New Zealand animals and birds. I have poems about moa, kokako, huia and
takahe as well. I think I like the
takahe one best of the bird poems.
- Were
you observing hills when you wrote Tuatara?
No,
I just thought about them.
- What do
you think is the best word you used in Tuatara?
I
don’t think any of the words are very special, apart from the word
tuatara! It isn’t about the words, the
words are just doing word-work, making us think about the things they refer
to.
- How
long does it take to write one poem?
It
depends a lot. Sometimes just a little
while, ten minutes maybe? But often a
lot longer, because I keep working away at it and changing the words. Sometimes I will come back to a bit of poem I
started months ago, and turn it into a new poem.
- What's the most recent poem you've written?
- How
long have you been a poet for?
Since
I bought a typewriter when I was twenty-something, so more than twenty years!
- Are
your poems/stories sometimes sad?
Yes,
sometimes they are sad and sometimes they are about being sad. One is about being so sad, when the person
tries to talk an ocean pours out of her mouth – like crying from your
mouth. One poem I wrote made me cry
when I wrote it. It can be consoling to
write a poem when you are sad though.
You might still be sad, but you can still be happy about having written
a poem.
- What is
the first image that you can think up in your mind?
I
can always think of my hens! But do you
mean a metaphor, or something imagined? I
can imagine the construction cranes I see out of my window nodding their heads
up and down and walking across the harbour.
- When
did you start writing? What age were you when you started poetry?
I
think when I was at primary school I mostly wrote stories. But they were short, so you could call them
poems. Some of the poems I write now are
like little short stories.
- Where
do you get ideas from? What sort of things inspire your writing?
From talking to people.
I think of things to say, and then some of the things I say in a
conversation I turn into a poem. A lot
of people say really clever, funny things all the time, but they don’t write
them down to make poems out of them.
Sometimes they turn them into facebook posts instead.
- Do you
edit your work? How many times?
Sometimes
a poem comes out right the first time, but sometimes I edit it over and over.
- Where
do you live? (I heard that your next-door neighbour is Lucinda!)
We
live in Jackson street Island Bay and we are very lucky because we have Isaac
and Lucinda for neighbours. We have an
orchard that we share and Lucinda helped plant the trees. In the weekends when I sit out in the garden,
the hens come running up to be with me, and so do Lucinda’s cats, Storm and
Cedric. Then there is a lot of drama,
because the cats love chasing the hens, and the hens hate being chased, but
they keep coming back because they hope I will feed them, and the cats keep
hanging round because they like to be stroked.
- What do
you usually write about: animals, plants and land?
I
more often write about people and the things people say. One poem is about being an envelope and
wondering where I’ll be sent. One is
about walking past a dog and the dog’s sleeping owner, and thinking about how
the dog won’t be able to tell the owner about me when I’ve gone. Some are about going to films, some are about
having parties.
- What is
your strategy to write such nice and easy poems?
I
think anyone can write a nice and easy poem!
One poet I like is Frank O’Hara.
He used to write about things he saw in his lunch breaks. People said it was too easy so why did he
bother? But his poems are so sweet and
funny, all the things he saw and what he thought about them.
- What
makes you happy?
Playing
with Lucinda’s cats and finding bugs for
my hens. Having dinner with my family –
my son Johnny is twenty and was living in Auckland but now he has come home and
lives with us. That makes me happy.
- Do you
like writing for children or adults?
I
like it when children like the poems I wrote for adults. I was pleased when I heard about children
reading the Pastoral Kitchen book, which is one with a lot of animal poems in. And I wrote a book called “Catullus for
Children” which adults and children read.
It is about primary-school age children. I don’t write many poems just for
children.
- Do you
do anything other than write poems? Are you just a poet or do you have another
job?
I
do have another job. I work at the
university, writing about books and giving lectures about books.
- Do you
think you will always be a poet?
